{"id":868,"date":"2023-05-06T04:13:17","date_gmt":"2023-05-06T04:13:17","guid":{"rendered":"https:\/\/manuelagarcia.net\/?p=868"},"modified":"2024-02-22T23:11:54","modified_gmt":"2024-02-22T23:11:54","slug":"expo-en-la-superficie","status":"publish","type":"post","link":"https:\/\/manuelagarcia.net\/en\/2023\/05\/06\/expo-en-la-superficie\/","title":{"rendered":"On the surface"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"868\" class=\"elementor elementor-868\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cf71a4d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cf71a4d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-edd47e3\" data-id=\"edd47e3\" 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var(--e-image-carousel-slides-to-show, 3))}<\/style>\t\t<div class=\"elementor-image-carousel-wrapper swiper-container\" dir=\"ltr\">\n\t\t\t<div class=\"elementor-image-carousel swiper-wrapper\" aria-live=\"off\">\n\t\t\t\t\t\t\t\t<div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"1 of 12\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/manuelagarcia.net\/wp-content\/uploads\/elementor\/thumbs\/En-la-superficie_Expo_02-qdo565n0gcrpt7zykj0t3tlqnn6c1gizt224jf9c00.jpg\" alt=\"En la superficie_Expo_02\" \/><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"2 of 12\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/manuelagarcia.net\/wp-content\/uploads\/elementor\/thumbs\/En-la-superficie_Expo_07-qdo55y4axohf8cavsfrsjvi1wk7ebvp540u8p7khds.jpg\" alt=\"En la superficie_Expo_07\" 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role=\"group\" aria-roledescription=\"slide\" aria-label=\"11 of 12\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/manuelagarcia.net\/wp-content\/uploads\/elementor\/thumbs\/En-la-superficie_Expo_09-qdo561vnp0mkis5f6heatujwa3ov6o42gjg6mbewow.jpg\" alt=\"En la superficie_Expo_09\" \/><\/figure><\/div><div class=\"swiper-slide\" role=\"group\" aria-roledescription=\"slide\" aria-label=\"12 of 12\"><figure class=\"swiper-slide-inner\"><img decoding=\"async\" class=\"swiper-slide-image\" src=\"https:\/\/manuelagarcia.net\/wp-content\/uploads\/elementor\/thumbs\/En-la-superficie_Expo_10-qdo562thvunuue420zsxecbcvhk8ed7sso3o3ldiio.jpg\" alt=\"En la superficie_Expo_10\" \/><\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-prev\" role=\"button\" tabindex=\"0\">\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"eicon-chevron-left\"><\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-swiper-button elementor-swiper-button-next\" role=\"button\" tabindex=\"0\">\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"eicon-chevron-right\"><\/i>\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"swiper-pagination\"><\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d477877 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d477877\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-09928b6\" data-id=\"09928b6\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-2f7e89b\" data-id=\"2f7e89b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-68b82c4 elementor-widget elementor-widget-text-editor\" data-id=\"68b82c4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.16.0 - 09-10-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><em>On the surface <\/em>Manuela Garc\u00eda. On The Surface comprises a set of nine small-scale and two large-scale works that examine the logics of the painterly surface. Composed of soft brushstrokes in different shades of red and blue, which together animate fragmented geometric shapes, the surfaces of Garc\u00eda\u2019s work possess an allure that is however subdued by the use of beeswax top coating. This material gesture produces an attentiveness to the artifice that is the surface. This is done not merely by making the surface coincide with the background but through an imaginative and deliberate act of interruption: where the wax coating takes the viewer away from the surface by creating an apparent depth in the painting, it simultaneously brings them closer, through revealing the surface for what it is\u2014a tangible structure that has length and breadth but no thickness. In this way, Garc\u00eda defies the tendency towards pure forms of visuality\u2014with which Modernism in painting has been identified\u2014while delivering a succinct and playful reflection on the production of the picture surface. In her attempts to develop new ways of thinking about and engaging with the problem of the pictorial surface,\n Garc\u00eda also prompts an unconventional and sensuous experience of painting. The semi translucent and frail wax surfaces\/skins grant the underlying geometric forms an ethereal quality, pushing them towards the threshold of in-visibility. The forms appear both revealed and concealed; they seem to exist somewhere between what we can perceive and what we cannot fully know. The uncanny and visceral nature of Garc\u00eda\u2019s work activates in the viewer a different form of relating to painting. Invoking intense sensations and physical states, the work expands the parameters of what hapticality can mean for the experience of an apparently visual art such as painting. In Garc\u00eda\u2019s work painting becomes an event more than a cultural object.<\/p><p>En su intento por desarrollar nuevas maneras para pensar e implicarse con el problema de la superficie pict\u00f3rica, Garc\u00eda tambi\u00e9n provoca una experiencia no convencional y sensible de la pintura. Las superficies\/pieles casi transl\u00facidas y fr\u00e1giles dan a las formas geom\u00e9tricas que les subyacen una cualidad et\u00e9rea, lo que las lleva m\u00e1s all\u00e1 del umbral de la in-visibilidad. Las formas se revelan tanto como se ocultan; parecen existir en alg\u00fan lugar entre lo que podemos percibir y lo que no podemos conocer en su totalidad. La naturaleza visceral e ins\u00f3lita de la obra de Garc\u00eda despierta en el espectador una forma distinta de relacionarse con la pintura. Al invocar sensaciones y estados f\u00edsicos intensos, la obra expande los par\u00e1metros de lo que puede significar lo h\u00e1ptico para la experiencia de un arte supuestamente visual como la pintura. En la obra de Garc\u00eda, la pintura se vuelve un acontecimiento en lugar de ser un objeto cultural<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-616a85a\" data-id=\"616a85a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>En la superficie de Manuela Garc\u00eda consta de ocho obras a escala peque\u00f1a y dos a gran escala que examinan la l\u00f3gica de la superficie pict\u00f3rica. Al estar compuestas de pinceladas suaves en distintas escalas de rojo y azul (que, juntas, animan figuras geom\u00e9tricas separadas), las superficies en la obra de Garc\u00eda poseen un encanto [&hellip;]<\/p>","protected":false},"author":1,"featured_media":2450,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-868","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>En la Superficie - Manuela Garc\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/manuelagarcia.net\/en\/2023\/05\/06\/expo-en-la-superficie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En la Superficie - Manuela Garc\u00eda\" \/>\n<meta property=\"og:description\" content=\"En la superficie de Manuela Garc\u00eda consta de ocho obras a escala peque\u00f1a y dos a gran escala que examinan la l\u00f3gica de la superficie pict\u00f3rica. Al estar compuestas de pinceladas suaves en distintas escalas de rojo y azul (que, juntas, animan figuras geom\u00e9tricas separadas), las superficies en la obra de Garc\u00eda poseen un encanto [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/manuelagarcia.net\/en\/2023\/05\/06\/expo-en-la-superficie\/\" \/>\n<meta property=\"og:site_name\" content=\"Manuela Garc\u00eda\" \/>\n<meta property=\"article:published_time\" content=\"2023-05-06T04:13:17+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-22T23:11:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/manuelagarcia.net\/wp-content\/uploads\/2023\/10\/En-la-superficie_Expo_02.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/manuelagarcia.net\/2023\/05\/06\/expo-en-la-superficie\/\",\"url\":\"https:\/\/manuelagarcia.net\/2023\/05\/06\/expo-en-la-superficie\/\",\"name\":\"En la Superficie - Manuela Garc\u00eda\",\"isPartOf\":{\"@id\":\"https:\/\/manuelagarcia.net\/#website\"},\"datePublished\":\"2023-05-06T04:13:17+00:00\",\"dateModified\":\"2024-02-22T23:11:54+00:00\",\"author\":{\"@id\":\"https:\/\/manuelagarcia.net\/#\/schema\/person\/d4608a80a4b5e25682deb861613490ee\"},\"breadcrumb\":{\"@id\":\"https:\/\/manuelagarcia.net\/2023\/05\/06\/expo-en-la-superficie\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/manuelagarcia.net\/2023\/05\/06\/expo-en-la-superficie\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/manuelagarcia.net\/2023\/05\/06\/expo-en-la-superficie\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inicio\",\"item\":\"https:\/\/manuelagarcia.net\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"En la Superficie\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/manuelagarcia.net\/#website\",\"url\":\"https:\/\/manuelagarcia.net\/\",\"name\":\"Manuela Garc\u00eda\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/manuelagarcia.net\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/manuelagarcia.net\/#\/schema\/person\/d4608a80a4b5e25682deb861613490ee\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/manuelagarcia.net\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/4b8b7064a88e17a62b85608989c88afe1d31dcde5d607c6c5aa3e3de9e97cfc2?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/4b8b7064a88e17a62b85608989c88afe1d31dcde5d607c6c5aa3e3de9e97cfc2?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"sameAs\":[\"https:\/\/manuelagarcia.net\"],\"url\":\"https:\/\/manuelagarcia.net\/en\/author\/admin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"En la Superficie - Manuela Garc\u00eda","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/manuelagarcia.net\/en\/2023\/05\/06\/expo-en-la-superficie\/","og_locale":"en_US","og_type":"article","og_title":"En la Superficie - Manuela Garc\u00eda","og_description":"En la superficie de Manuela Garc\u00eda consta de ocho obras a escala peque\u00f1a y dos a gran escala que examinan la l\u00f3gica de la superficie pict\u00f3rica. 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