{"id":40,"date":"2022-10-13T09:10:56","date_gmt":"2022-10-13T09:10:56","guid":{"rendered":"https:\/\/manuelagarcia.net\/?page_id=40"},"modified":"2026-05-30T17:05:24","modified_gmt":"2026-05-30T17:05:24","slug":"bio","status":"publish","type":"page","link":"https:\/\/manuelagarcia.net\/en\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"40\" class=\"elementor elementor-40\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b3f789a elementor-hidden-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b3f789a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7308d2a\" data-id=\"7308d2a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c2f86f2 elementor-hidden-mobile elementor-widget elementor-widget-spacer\" data-id=\"c2f86f2\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.16.0 - 09-10-2023 *\/\n.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}.e-con{--container-widget-width:100%}.e-con-inner>.elementor-widget-spacer,.e-con>.elementor-widget-spacer{width:var(--container-widget-width,var(--spacer-size));--align-self:var(--container-widget-align-self,initial);--flex-shrink:0}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container,.e-con>.elementor-widget-spacer>.elementor-widget-container{height:100%;width:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer{height:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner{height:var(--container-widget-height,var(--spacer-size))}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty,.e-con>.elementor-widget-spacer.elementor-widget-empty{position:relative;min-height:22px;min-width:22px}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon,.e-con>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon{position:absolute;top:0;bottom:0;left:0;right:0;margin:auto;padding:0;width:22px;height:22px}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e2c053a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e2c053a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-74cb6e3\" data-id=\"74cb6e3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-12164b0\" data-id=\"12164b0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b8d857b elementor-widget elementor-widget-text-editor\" data-id=\"b8d857b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.16.0 - 09-10-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>\u00a0<\/p><p>Manuela Garc\u00eda was born in 1982 in Mexico City, where she currently lives, but grew up in Medellin, Colombia.\u00a0She holds a BA in Fine Arts by the National University of Colombia 2007. \u00a0She was part of the MA program in Visual Arts at the Brera Academy in Milan 2009. She worked during one year into the Textil art atelier from the School of Arts and Crafts in Granada 2010. Spain. She accomplished the SOMA arts educational program in M\u00e9xico City 2016.<\/p><p>On view . <a href=\"https:\/\/patrongallery.com\/exhibition\/652\/she-is-sitting-on-her-own-shadow\">She is sitting on her own shadow. Patron Gallery<\/a><\/p><p>She recently presented her solo show Double uncertainty at NASAL 2023-2024 and Mediating forms at Efra\u00edn L\u00f3pez gallery NY, 2022.<\/p><p>Some of her previous exhibitions include the solo show Geles Partituras Corporales. Bellas Artes Museum, On the Surface, 2022 at Peana in Mexico city, In the Shadows, Our Ghosts Lurk at The Contemporary at blue star, San Antonio Texas, The eroded house at Anahuacalli Museum 2023, Uncertain measure 2021 at Fundidora Museum, Monterrey, M\u00e9xico curated by Ana Cadena and Hugo Chavez. Inextinguishable Fire 2015 at Temporary Gallery, Cologne, Germany. Curated By Regina Barunke and Sonja Hempel, Transcripciones 2015 Chopo Museum curated by Esteban King, Mexico City. Me from you &#8211; you from me. 2019 at the City Museum of Mexico.<\/p><p>She has been part of projects as Kiosko by Alumnos47 Fundation curated by Eva Pozas and collective initiatives such as The big question: Social Cartography at San Joaquin Neighborhood and NN project during the MDE15 at Antioquia Museum, Medell\u00edn.<\/p><p>In her personal work, she consider herself as sculpture, interested in the relationship between bodies in space.<\/p><p><a href=\"https:\/\/drive.google.com\/file\/d\/1PoDPH3ZcyZDVwx4d_RMTxwtP-DRRmxuO\/view?usp=sharing\">Portfolio Manuela Garc\u00eda<\/a><\/p><p>Manuela Garc\u00eda<br \/>1982<br \/>Education<br \/>2014 \u00a0MFA education program at SOMA, M\u00e9xico, D.F.<br \/>2007 \u00a0BA in Fine Arts, National University of Colombia, Medell\u00edn.<br \/>2009 Textil Art. Academy of Arts and Crafts, Granada, Espa\u00f1a<br \/>2008 Specialization studies in Visual Arts, Fine Arts Academy, Brera, Milan, Italy.<br \/>Solo Exhibitions<br \/>Mediating Forms. Efra\u00edn L\u00f3pez NY. US. 2023.<br \/>Choreographies of Matter. 2023. Curated by Sandra Sanchez.Galer\u00eda Tiro al blanco, Guadalajara.<br \/>Empty the mist 2023. Caiman Project. Curated by Marco Valtierra. Guadalajara.<br \/>On the Surface. 2022. Peana Gallery, curated by Aline Hern\u00e1ndez. Mexico City.<br \/>Oscillations. MuCiC Cuernavaca City Museum. 2021.<br \/>Air Plomo Gallery, Mexico City, 2019<br \/>Dark wind. Bodega Acme, Mexico City. 2018.<br \/>The similarities are hidden in the surfaces. Curated by Aline Hernandez. Breve Gallery. M\u00e9xico City, 2018.<br \/>One way of being is to elapse. Conversation with Joshua Jobb Taller 7. Medell\u00edn, Colombia, 2016.<br \/>What Occuppies Space, Interior Magdalena, curated by Mar\u00eda Elena Ortiz. Mexico City, 2012.<br \/>Migrate Like Birds, Casa Tres Patios, Medell\u00edn, Colombia, 2010.<br \/>Subject, Gallery of \u00a0the National University of Colombia, Medellin, Colombia, 2007.<\/p><p>Group Exhibitions<\/p><div>2025<\/div><div>In the Shadows, Our Ghosts Lurk at The Contemporary at blue star. San Antonio Texas.<\/div><div>Primary Frecuencies. Efra\u00ecn Lopez Gallery Nueva York.<\/div><div>Escenario afectivo. Guadalajara90210. Ciudad de M\u00e9xico.<br \/>Invisible ink. Studio Hannibal. Berlin.<\/div><div>Sur, sur. Proyecto NASAL. Ciudad de M\u00e9xico.<br \/>Mec\u00e1nica vegetal. Guadalajara 90210. Ciudad de M\u00e8xico.<br \/>An unfinished map of matter. 15 Beautreillis. Par\u00eds.<br \/>Lo visible. Espacio Cabeza. Guadalajara.<\/div><p>2024<br \/>Liaisons. Curated by Julia Mar\u00eda L\u00f3pez. Maison Jaune. Paris.<br \/>Everywhere and nowhere. Barely Fair. Chicago.<br \/>Contrapunto. Curated by Corina Krawinkel. K\u00f6nig Gallery. Mexico City.<br \/>Masa solar. Curated by Marco Valtierra. \u00a0Ra\u00fal Anguiano Museum, Guadalajara.<br \/>Como fantasmas en las sombras. Curated by \u00a0Fabiola Iaza. Laguna Mexico City.<br \/>Out of place. Curated by Marco Valtierra. Espacio Cabeza. Guadalajara.<br \/>2023<br \/>Eroded house. Anahuacalli Museum. Curated by Karla ni\u00f1o de Rivera. Mexico City. \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 ABC. Art Baja California. Maco Patio.<\/p><p>2022<\/p><p>Portrait of an artist. curated by Ana Castella. Peana Gallery. Mexico City.Promised Land, Hacer Noche. Santo Domingo Museum. Curated by Pablo Vera Arredondo. Oaxaca. M\u00e9xico.<br \/>Present continuous scriptures in present continuous.<br \/>Maaa mo mi me moo. Curated by Underbelly. Caba\u00f1as Museum. Guadalajara. Mexico. Atl 217. Acapulco 62. Mexico City.<br \/>2021<br \/>Antropoceno. Casa Wabi. Curated by Alberto R\u00edos de la Rosa. Ciudad de M\u00e9xico.<br \/>Maco art week. Patio. Performance program at Casa Ortega curated by Direlia Lazo and Catalina lozano.<br \/>2020<br \/>Uncertain measure. Museum of Fundidora Park. Monterrey. M\u00e9xico.<br \/>Welcome to the fear city. Bodega Acme Mexico City.<br \/>Reflection of things Galeria Chica Guadalajara, Mexico.<br \/>Fly Fly tourist visions of latin america. Zona de desgaste. Mexico City.<br \/>2019<br \/>You from me \/ Me from you Mexico City Museum.<br \/>Whitout title Bodega ACME. M\u00e9xico City.<br \/>Cuensecuences, a game of words. curated by Violeta Orcasitas Breve Gallery<br \/>Paragraph change, seven readings to one space. Editorial Revista Artes de Mexico.<br \/>Stairs Pavillion Guadalajara 9210. Mexico City.<br \/>2018<br \/>Multiple Gesture. Squash 73. Hilario Galguera Gallery. Curated by Marco Trevi\u00f1o, Esteban King, Christian Gomez. Mexico city.<br \/>Sal con Celta. Acapulco 62. Curated by Mauricio Marcin.<br \/>Kiosko, When I am lost I am curious. Curated by Eva Posas. Fundaci\u00f3n Alumnos.<br \/>Ciudad de M\u00e9xico.<br \/>Fundamental Notes. Estudio Marte. Mexico City<br \/>2017<br \/>Yellow Tulips, Efrain Gallery. Chicago EUA<br \/>Look back and thing about it, Estudio Marte. M\u00e9xico City.<br \/>Thing air, curated by Anuar Maauad Galer\u00eda Emma Molina Monterrey, Mexico.<br \/>Particular collections, Casa Maauad. Mexico City<br \/>RecidenciesSan Agust\u00edn<br \/>The big question Encuentro MD15 whith Cooperative Crater Invertido. Medel\u00edn, Colombia 2015.<br \/>Pangea. Giulianova Italia. Curated by Diego Esposito.<\/p><p>Currently<\/p><p><a href=\"https:\/\/www.studio-hanniball.de\/calendar\/\">https:\/\/www.studio-hanniball.de\/calendar\/<\/a><\/p><p><a href=\"https:\/\/guadalajara90210.com\/project\/espacio-cdmx\/2025-mecanica-vegetal-vol-7\/\">https:\/\/guadalajara90210.com\/project\/espacio-cdmx\/2025-mecanica-vegetal-vol-7\/<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-bada002\" data-id=\"bada002\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>\u00a0 Manuela Garc\u00eda was born in 1982 in Mexico City, where she currently lives, but grew up in Medellin, Colombia.\u00a0She holds a BA in Fine Arts by the National University of Colombia 2007. \u00a0She was part of the MA program in Visual Arts at the Brera Academy in Milan 2009. She worked during one year [&hellip;]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-40","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Bio - Manuela Garc\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/manuelagarcia.net\/en\/bio\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bio - Manuela Garc\u00eda\" \/>\n<meta property=\"og:description\" content=\"\u00a0 Manuela Garc\u00eda was born in 1982 in Mexico City, where she currently lives, but grew up in Medellin, Colombia.\u00a0She holds a BA in Fine Arts by the National University of Colombia 2007. \u00a0She was part of the MA program in Visual Arts at the Brera Academy in Milan 2009. 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